From Kate’s Writing Crate…
In honor of Valentine’s Day,
I’m recommending Lisa Kleypas’ series about the Travis family: Sugar Daddy, Blue-Eyed Devil, Smooth-Talking
Stranger, and the yet-to-be-released Brown-Eyed
Girl. (It's now been released and Brown-Eyed Girl is NOT worth reading--a disappointing end to this enjoyable series.)
The head of this wealthy
dynasty is self-made successful businessman Churchill Travis who has four
children: Gage, Jack, Joe, and Haven. He demands a lot from his
sons—hard work, successful careers, and business ownership. He leaves the
raising of their daughter to her mother even as Haven tries to compete with her
brothers.
I always recommend reading books
in order to see the growth in characters and relationships. It's important in
this series as a crucial character from book one plays a big part in book two.
Also, while the end of Sugar Daddy is especially romantic, I preferred the more in-depth plots in books two and three as well as many insightful asides. Ella, the lead female character in Smooth-Talking Stranger, is a writer so this is my favorite book in the series. Jack is a character introduced in Sugar Daddy who readers got to know much better in Blue-Eyed Devil.
Also, while the end of Sugar Daddy is especially romantic, I preferred the more in-depth plots in books two and three as well as many insightful asides. Ella, the lead female character in Smooth-Talking Stranger, is a writer so this is my favorite book in the series. Jack is a character introduced in Sugar Daddy who readers got to know much better in Blue-Eyed Devil.
In Smooth-Talking Stranger, Jack Travis
lives the good life: he works hard at the property management company he owns
and plays hard—sports, hunting, and dating beautiful women who know the score.
Ella
Varner, bespectacled, cute, and petite, is not
one of those women; however, her estranged younger sister, Tara, is
model-beautiful and the mother of Luke, a newborn she claims was fathered by
Jack. Tara, unable to cope with the baby, abandons him at her mother’s house.
The mother in turn calls Ella, the responsible one in the family, to deal with
the situation. If she doesn’t, her mother threatens to call the
authorities—which is how Ella ended up four hours from home waiting for Jack
Travis in his company’s reception area with a fussy baby.
Jack knows
he is not the father, but he admires Ella’s loyalty to her sister and nephew.
He appreciates her humor and intelligence. And while she does not look like his
usual girlfriends, she still captures all of his attention. He has finally met
his match, but knows his usual moves won’t impress Ella.
Ella is a
bright, witty columnist who writes an explicit and hilarious relationship
column for a national magazine. (See examples on pages 104 & 164.) She lives
with her boyfriend, Dane, who owns a green energy company. They have a comfortable relationship, but he wants nothing to do with babies even on a temporary
basis. Now Ella needs to relocate her life until all the details can be worked
out with whoever is Luke’s father.
Ella’s
life has not been easy. “To my mother, Candy Varner, everything was an
emergency. She was a shock-and-awe parent, the ultimate drama queen. But she
had covered it up so adeptly that few people suspected what went on behind
closed doors.” (page 2)
Tired of his wife’s tirades,
her father left a few years after Tara’s birth, never to return, leaving a gap
filled by Candy’s parade of new boyfriends and then a stepfather who tried to
molest Ella and Tara. Candy didn’t believe that and blamed her daughters when
he left. With a shared background of abuse and continued demeaning comments
from their mother, the sisters grew up and went their separate ways to break
free from this destructive cycle.
“Neither
of us seemed able to be close to anyone. Not even each other. Closeness meant
the one you loved the most would cause you the most damage. How did you unlearn
that?” (page 68)
As an
adult, Ella became independent and self-supporting. Then Luke appears in her
life. “I had never been so wanted or needed by anyone on earth. Babies were
dangerous…they made you fall in love before you knew what was happening. This
small solemn creature couldn’t even say my name, and he depended on me for
everything. Everything. I’d known him for little more than a day. But I would
have thrown myself in front of a bus for him. I was shattered by him.” (page
81)
How much of an effect will
Luke have on her relationships when he becomes the center of her life—especially
after her sister returns?
To Jack, Luke is part of
Ella’s life. Used to caring for his niece and nephew, Jack is adept at caring
for a baby. Jack is also thoughtful and funny. He's determined to have Ella in
his life and Dane out of hers.
Ella knows Jack is serious
about her. “…I was aware of a new kind of power, a seductive power, over
someone who was stronger, worldlier, more unpredictable, more
testosterone-fueled than any man I’d ever known before. It was like sitting
behind the wheel to test a race car. Scary and exhilarating all at once,
especially for someone who had never liked to travel fast.” (page 216)
The book ends with a twist
on Ella’s relationship column and a beautiful tribute to a marriage license—the
power of words leads to a happy ending.
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