From Kate’s Writing Crate…
As a
reader, I always love finding books that appeal to me. As a writer, I am twice
as pleased when the authors also provide masterclasses within their books.
Masterclasses take place when
performance artists and musicians work one-on-one with students. Writers don’t
generally have this option, but I have found some books to be masterclasses for
characters, backstories, plots, settings, voice and/or creativity.
First pages are usually the
best written in a book—highly polished and edited—so I always want to see if
the author sustained that level throughout his or her book.
When I’m in a bookstore, I
pick up books and flip through them stopping at random pages to see if the
writing style grabs my attention. I only read a sentence or two, not many words
to convince me to buy in, but if the author is good, they are enough.
When I’m viewing books
online, I can’t do that as only the first pages are available. To be honest,
I’m more disappointed in the books I buy this way when I know nothing about the
author. However, while online I can view many more books than are in a
bookstore so I discover more gems this way.
The latest gem I’ve read is Kinder Than Solitude by Yiyun Li. Her
book caught my eye as I looked for something new to read online. I loved the
title.
I opened to the first pages
and read the first paragraph. Based on that paragraph alone, I decided to buy
her book. I also knew if the book lived up to that paragraph, I would use it as
the basis for a masterclass post. I’ve never made this decision based on 93
words before, but Li captured the absurdness of human nature during one the
most solemn of occasions. She made me think and she made me laugh.
Read the same paragraph for
yourselves. If it appeals to you, read the rest of Li’s book. Her insights into
human nature keep coming—fresh, true, eye-opening, and heartbreaking.
The plot of the book is sparse:
The four main characters grow up in China, but, after a slightly mysterious tragedy, two
relocate to America. It’s the author’s voice and the creativity of her insights
that made this a masterclass for me. Here are a few examples:
…believing, like most people,
in a moment called later. Safely
removed, later promises
possibilities: changes, solutions, rewards, happiness, all too distant to be
real, yet real enough to offer relief from the claustrophobic cocoon of now.
(page 33)
She had never been much of a
reader of fiction before, but these [Russian or French] novels, whose
characters bore long and unmemorable names had comforted her: even the most
complicated stories offered a clarity that she could not find in the world
around her… (page 134)
No,
solitude she did not have; what she had was a never-ending quarantine. (page
229)
While these and many other
lines appealed to me, I especially loved the phrase claustrophobic cocoon of now—four words that capture life when difficult
perfectly.
Solitude a never-ending
quarantine? I never considered solitude any kind of quarantine, but it is
whether imposed or chosen.
The clarity of Yiyun Li's insights
is why I recommend writers read Kinder
Than Solitude. It’s also why I’ll read the rest of her books.
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