Showing posts with label writing advice. Show all posts
Showing posts with label writing advice. Show all posts

Monday, April 2, 2018

Writing Advice from a Successful First Time Author and a Songwriting Couple Who Just Won an Oscar



From Kate’s Writing Crate…

                             
CBS Sunday Morning highlighted writers today: a first-time author as well as a husband and wife songwriting team. They gave some great advice to other writers.

Ready Player One was written by Ernest Cline. It’s his first novel and his first published work—and he won the author jackpot! In just 24 hours he accepted a lucrative offer from a publisher. He was also told that the movie rights were being auctioned. Steven Spielberg bought them. Cline then wrote the screenplay and was the technical expert for the movie on all things about the ‘80s.

As described on CBS Sunday Morning, Ready Player One envisions a dark future in which people spend most of their time plugged into a virtual online world. The plot is a high stakes scavenger hunt with clues from 1980’s pop culture.

Cline notes, “I am a testament to what happens if you be free about what you love, and why you love it, and not afraid or worried about what other people think about what you love or your passions. Just be bold and celebrate the things you are passionate about and amazing things can happen.”

He’s still amazed every time he speaks with Steven Spielberg, a hero from his childhood.

In the segment titled “In Harmony,” Robert Lopez and Kristen Anderson-Lopez are highlighted for writing eleven songs for the animated movie Frozen. (They credit their two daughters for the inspiration.) The couple is working hard on the Broadway version now after winning an Oscar for their song “Remember Me” from the animated movie Coco.

They met at a songwriting workshop in 1999 where Bobby was working on his puppet musical “Avenue Q” which Kristen loved. It was a big success. At the beginning, their romance had ups and downs, but their career together has produced many hits.

Bobby’s advice, “You need to create from joy, from the part of you that loves what you are doing.”

I just wanted to share this advice from writers living their dream lives.

(There were several other stories worth watching in the episode—a profile of Dr. Martin Luther King, Jr. who was killed 50 years ago on April 4, an American tragedy; a heartwarming story about Jamarion Styles, a 14-year-old basketball player who lost both hands and most of his arms to an infection when he was a baby; and actor/director John Krasinski, a self-described scaredy cat, working with his wife, Emily Blunt, on the horror movie A Quiet Place. Also a segment on innovations in stained glass and a look at Google and Facebook and how they can affect people.)





Monday, September 25, 2017

A Writer's Voice & Vehicle


From Kate’s Writing Crate…  
            
         
     
Writers need two big things to succeed—a voice and a vehicle.

You will find your voice by writing often. There is no other way. Some people find it earlier than others, but you have to put in the time and effort to see what you have to say and how you say it—not what you think other people want to hear. Believe in yourself!

Vehicles can only be chosen by trial and error. Just because you want to write a novel or a play doesn’t mean you can, but you have to try to find out. Take classes. Read writing books. Whatever it takes to get you writing what you want. Be prepared, you may succeed or fail. Be open, another type of writing might be your vehicle—and you may have more than one.

Filling a notebook a month is a great way to find your voice and your vehicle. Look back and see what ideas you have for projects? Are you good at capturing details? Creating characters? Dialogue? Plotting? Organization? Research? Are you funny? Good at turning a phrase? Do you like interviewing people and working with quotes?

Try writing a short story, essay, article, or book review. As shorter vehicles, you can assess quickly if any of them feels right for you.

Feeling ambitious? Go for a novel, play, screenplay, or non-fiction book. This is all about you so write what you want.

Do not throw away anything you write. It might not appeal to you now, but maybe it will later. You never know.

          In the end, of course, writers need more than just voices and vehicles. They also need talent, craft, good grammar, and good fortune. However, having a strong, unique voice in a perfectly-suited vehicle will take you a long way towards success.




Monday, August 14, 2017

Reads for Writers: Award-winning and Bestselling Author Louise Penny's Chief Inspector Gamache Series



From Kate’s Writing Crate…

         
          I discovered Louise Penny and her mystery books on the CBS Sunday Morning TV program a few weeks ago. If you like Agatha Christie, you will enjoy Penny’s Chief Inspector Gamache series that begins with Still Life. To date, there are twelve books in the series.

New York Time's bestselling author Louise Penny has won five Agatha Awards. She certainly has Christie’s ability to see into the hearts and minds of murderers. I have lost count of the universally true Insightful Asides I have underlined while reading about the murders in Three Pines, a small Canadian village near the US border.

“It [Three Pines] had croissants and cafĂ© au lait. It had steak frites and The New York Times. It had a bakery, a bistro, a B. & B., a general store. It had great joy and great sadness and the ability to accept both and be content. It had companionship and kindness. (page 12 in A Fatal Grace, book 2).

Sounds like an idyllic place to live—except for the murders.

Here are a few of my favorite Insightful Asides from the series:


“His [Brother Albert] theory is that life is loss,” said Myrna [bookstore owner] after a moment. “Loss of parents, loss of loves, loss of jobs. So we have to find a higher meaning in our lives than these things and people. Otherwise we’ll lose ourselves.” (page 138 in Still Life, book 1)

“…Murder was deeply human, the murdered and the murderer. To describe the murderer as a monstrosity, a grotesque, was to give him an unfair advantage. No. Murderers were human, and at the root of each murder was an emotion. Warped, no doubt. Twisted and ugly. But an emotion. And one so powerful it had driven a man to make a ghost.” (Chief Inspector Gamache on page 154 of A Fatal Affair, book 2)

“Accepting murder meant accepting there was a murderer. Among them. Close. Someone in that room, almost certainly. One of those smiling, laughing, familiar faces hid thoughts so vile they had to kill.” (Clara Morrow on page 66 of The Cruelest Month, book 3)

“There are four statements that lead to wisdom…You need to learn to say: I don’t know. I’m sorry. I need help and I was wrong.” (Chief Inspector Gamache on page 130 in The Cruelest Month.)

“Hazel Smyth had been off to the funeral home…It was like being kidnapped and taken into a world of hushed words and sympathy for something she couldn’t yet believe had happened.” (page 144 of The Cruelest Month)

“…He saw all the Morrows, trudging along, chained together, weighed down by expectation, disapproval, secrets. Need. Greed. And hate. After years of investigating murders Chief Inspector Gamache knew one thing about hate. It bound you forever to the person you hated. Murder wasn’t committed out of hate, it was done as a terrible act of freedom. To finally rid yourself of the burden.” (page 205 in A Rule Against Murder, book 4)

“Grief was dagger-shaped and sharp and pointed inward. It was made of fresh loss and old sorrow.” (Inspector Gamache on page 262 in A Rule Against Murder)


          Poetry plays a big role in Louise Penny’s books and in her writing. Chief Inspector Gamache reads and quotes poems in these books and there is a poet who lives in Three Pines.

          Louise Penny thinks reading poetry is essential for writers. As she states in her Acknowledgments on page ix of The Brutal Telling (book 5):

…I actually need to thank the wonderful poets who’ve allowed me to use their works and words. I adore poetry, as you can tell. Indeed it inspires me—with words and emotions. I tell aspiring writers to read poetry, which I think for them is often the literary equivalent of being told to eat Brussels sprouts. They’re none too enthusiastic. But what a shame if a writer doesn’t at least try to find poems that speak to him or her. Poets manage to get into a couplet what I struggle to achieve in an entire book.

          I, too, think poetry is essential as does author Ray Bradbury. See posts dated March 9, 2015; March 21, 2016; and April 4, 2016.
                   




Monday, October 10, 2016

Writing Advice from an Editor to Writers in General



From Kate’s Writing Crate…


          Last week I wrote about writing advice I gave to an intern. This week, I’m giving advice to more experienced writers.

          I have edited three local monthly magazines as well as a state-wide monthly magazine at the same time. The common challenge is filling all the space between the ads on all the pages.

To accomplish this, every month I have to come up with six to ten topics for articles for each magazine, depending on page counts, a month or two before deadline. Then I assign them to writers who will interview people, write comprehensive and well-organized pieces that meet the word count on deadline. I also have five columnists on staff covering sports, gardening, family life, books, and observations on life. Two columnists also write articles.

Finding good writers is essential which means there are writing opportunities out there. Experienced writers with tear sheets (previously published articles from other publications) are good to work with as they know what to do—although it may turn out these writers have been edited heavily. However, new writers are excited and willing to learn. Their energy is infectious and fun. 

As long as new writers are serious about completing assignments, they should ask for assigned articles submitting writing samples when requested. I often assign new writers articles I need in two months to see if they can meet a two or three week deadline. This gives me time to recover if they fail.


Short Inquiries:

To get published in a magazine, a serious writer should send editors short inquiries about article ideas he or she would like to write (or have already written) that fit a publication’s style. Be familiar with the publication. Make sure your ideas will be compatible. As I mentioned, editors have to generate a lot of story ideas every month so having good ones suggested by writers is helpful.

Put Article Inquiry in the subject line.

These inquiries should be short and sent to the editor by his or her name. If you cannot be bothered to find the editor’s name, you are making a bad impression and, worse yet, you are unfamiliar with the publication.

It’s best to pitch ideas for the future as issues are planned a month or two in advance. (Example: pitch December topics in September. National magazines may have even longer lead times.)

Introduce and discuss your article idea—what it is, why readers will enjoy it, and why you are interested in writing it. Then summarize your expertise and writing experience. If a new writer, offer to submit writing samples. Then end with: Thank you for your time. I look forward to hearing from you. Include your contact information, phone and email address.

Do not expect an immediate response. Give an editor two or three weeks to respond. If no response, send the inquiry again. Editors receive emails from dozens to hundreds of readers, advertisers, the production department, the printer, press releases, compliments, complaints, and established writers so it might take a week or two for the editor to get to inquiries, longer if your email arrives during deadline week.

Once contacted, be prompt in answering an editor’s questions in response to your inquiry.


Assignments:

Once the editor gives you the assignment, a style sheet, word count, and deadline, deliver what you promised—an engaging and professionally written article about the idea you pitched that includes quotes from at least one person.


Interview Tips:

Do not procrastinate. Set up interviews immediately as there are always scheduling conflicts. Also, if interview has to be rescheduled, you have time to do so.

Make sure you spell each person’s name, title, and organization      correctly.

Have at least 10-12 questions prepared before interview.  Ask follow up questions where appropriate.

Make sure some require short or numerical answers to break up all the longer quotes for other questions.

Two questions I always ask:
                            
          What do you like best about your job or the event?
                   (Personality shines through in answers.)

And end of interview ask: Is there anything else you would like the public to know?
(This gives the person a chance to discuss things you might not know about so follow up questions might be needed.)


I write all the questions in the margin of my notepad if it’s an in-person interview.

If emailing questions, double check for spelling errors before sending.

When emailing questions, put the deadline date for answers in the subject line and again before the questions.

Always thank people for their time before the interview or before the written questions in an email.

Listen to answers or read them carefully.

Ask follow up questions as needed.

If handwritten, type up your notes as soon as possible after the interview.

If you can’t read some of your notes or an answer isn’t clear when you are writing your article, contact the person again to get the right answers.


Drafts:

In your first draft, organize your thoughts then include every quote, fact, and point you want to make regardless of word count.

Use the strongest and clearest interview statements as quotes in your article. The rest of what the person said become facts in the text. Weave these facts in with any other researched facts along with the quotes which breathe life into your articles.

Know the correct punctuation for quotes. Also, some publications use said, some use says. Use right style.

Once first draft is written, reread it. Read it aloud. Often you will find you buried your lead (best start to your article) in paragraph two, three, or even six. Reorganize paragraphs as needed.

Then rewrite and polish your article repeatedly until it is the best work you can produce and within the word count.

Look for better choices of words—i.e., one word that can replace a wordy description. (Every writer in my opinion should have and use the Oxford American Writer’s Thesaurus. Read the Introduction “In Search of the Exact Word” by Richard Goodman, pp. xi-xvii, to see exactly what I mean. )

Check spelling, punctuation, and grammar.

For reference: I spend less than 40% of my time writing and over 60% rewriting my articles for publication.


Deadlines:

Submit assignments before or on deadline date. No excuses.

I advise that new writers especially submit their articles well before deadline. Editors will remember you for doing it. This means you can be counted on and will receive future assignments provided you also wrote a good or, better yet, a great article.


What constitutes a great article?

In every article emailed to me, I want to see:

a pertinent, even clever, title,

a byline,

an article with paragraphs,

only one space between sentences,

line spacing of 1.15 or 1.5,

do not start any article with a quote,

people need to be introduced to readers before being quoted,

organized thoughts,

smooth transitions,

quotes woven seamlessly into the text,

an attention-grabbing intro paragraph ,

and an ending paragraph that ties up the article well.



In between the first and last paragraphs, I look for:

proper punctuation especially for quotes,

good grammar,

correct spellings of words, names, and titles,

attention paid to details like dates, times, places, etc.,

true facts, statistics, etc.,

word count (within 100 words under to exact number),

and that the magazine’s style sheet was followed.




Q&A articles begin with an intro paragraph or two.


If submitting a photo, write a caption that includes (left to right) people’s names.

Writers can recommend pull quotes, but editor has final say.



Overall, I look for:

a strong writer’s voice and style,

creativity,

Is lead paragraph enticing?

Is article fun to read and informative?

Are the facts clear?

Are quotes distributed throughout the article?

Is anything jarring? (bad transitions, out-of-order facts, person quoted without being introduced)

Are the contact phone number, email address, & web site listed if readers want more information?



Editing:

Corrections are made following rules of grammar, punctuation, and spelling.

The rest of changes are made to fit magazine’s style or the editor’s sense of words and style.

Most articles have excess words so editors tighten up the text by cutting these words or replacing them with more exact words.

Magazine editors do not usually discuss changes with writers unless want total rewrites

Writers may ask about changes, but not during deadline week. If you want feedback, ask the editor beforehand to see if it’s possible. Then turn article in early in case has editor has time before publication. Feedback takes a lot of time so the editor may say no. If that is the case, compare what you turned in to what was published. Changes should result in clearer or tighter writing.    

If a lot of text is missing, space may have been tight on the page so change may have nothing to do with your writing. (I’ve had ads come in very late. They always go in, so text must be cut. It’s a tough business.)

If you see a pattern in the edits, work on that area of your writing.


Once an editor knows you are a professional writer who turns in great work within word count on deadline, you will get more assignments. More assignments lead to tear sheets to use when inquiring about assignments for other magazines which is the start of a writing career.



Monday, October 3, 2016

Writing Advice from an Editor to an Intern




From Kate’s Writing Crate…


          I didn’t set out to become an editor. I wanted to be a successful writer working from home. I became both after years of writing then taking a writing class where I met the woman who just bought one of the magazines I now write for and edit.

I started out as an unpaid intern for the magazines. I wrote articles as well as learned about copyediting (turning press releases and items sent in by the public about meetings and events into style copy for the magazine issue), layouts (placing headlines, bylines, copy, ads, pull quotes, photos, and captions on each page), proofreading (using the correct proofreaders’ marks), and all the little things to check in an effort to publish an almost perfect issue (something always goes wrong).

A few years later, I became the editor of one then two magazines—a job I love.

Now I’m working with an intern who wants to be a writer and an editor. I’m happy to share my knowledge and experience with her; however, writing skills are more straightforward to teach than editing skills. My writing advice is posted now. My advice for editing will be posted on October 17, 2016.

Here is my writing advice:                                                                        
                             

To be a better writer, write. It’s just that simple. There is never enough time to write. You must make the time to write. Get up early. Stay up late. Write anytime you are waiting for someone or something. Writers write! Jot down thoughts and sentence fragments, plots, and ideas in a notebook or record on phone. 

If you want to be a professional writer, learn to write on demand, not wait for inspiration, by writing to deadlines. Filling a notebook a month as recommended by Natalie Goldberg in Writing Down the Bones is a great way to start. Write a concise weekly blog—300-500 words—without fail. Write three pages every morning as recommended by Julia Cameron in The Artist’s Way. If really short on time, write Six-Word Memoirs®. (See books by the same title or visit Smith Magazine online.)

Take writing classes or join a writing group. Deadlines and feedback are essential.


“It is easy to lose sight of the fact that writers do not write to impart knowledge to others, rather, they write to inform themselves.”   –Judith Guest


Choose a magazine you enjoy reading. Write an article following its style (topic, word count, tone, etc.). Write about what you love. Learn from the best as you can interview experts or participants in whatever topics interest you. Write your first drafts without thought to the word count. Then rewrite your articles repeatedly. Final articles should be your best work including all the points you wanted to make as well as meeting the word counts. Submit articles for publication.


“Don't market yourself. Editors and readers don't know what they want until they see it. Scratch what itches. Write what you need to write, feed the hunger for meaning in your life.”     –Donald M. Murray


Write with abandon then rewrite by writing concisely.


“Nothing you write, if you hope to be any good, will ever come out as you first hope.”   –William Hellman


For reference: on average, I spend 35-40% of my time writing and 60-65% rewriting pieces for publication. I rewrite my articles five, six, ten times until I’m satisfied it’s the best I can do. Read pieces aloud to catch mistakes.


“Writing is really rewriting—making the story better, clearer, truer.” –Robert Lipsyte


“Look for verbs of muscle, adjectives of exactitude.”  --Mary Oliver in Blue Pastures on page 89.


Meet all deadlines, no matter what, as professional writers and editors won’t work for long if they don’t.

Also, read everything. A better reader is a better writer.

Read writing books. I have recommended many on this blog (see partial list at end of this post), especially The War of Art by Steven Pressfield.

All knowledge makes you a better writer (and editor). I read all genres as good writers make any genre or topic interesting. I also read books about philosophy, science, space, and art as well as classic novels and bestsellers.


“You learn to write by reading and writing, writing and reading. As a craft, it's acquired through the apprentice system, but you choose your own teachers. Sometimes they're alive, sometimes they're dead.”  –Margaret Atwood


Read often and widely including poetry to get a feel for words, language, flow, and rhythm.

Poetry is essential. Ray Bradbury makes this recommendation to writers on page 36 of Zen in the Art of Writing:


Read poetry every day of your life…it flexes muscles you don’t use often enough…it expands the senses and keeps them in prime condition.


Reading expands your vocabulary, too. Look up every word new-to-you for future reference. Write these words and definitions in your notebooks so you remember them.

Make sure the words you use (or edit) mean what you think they mean otherwise you look foolish. Once in print, it is out there forever so take the time to refer to a dictionary, RefDesk.com, or the Oxford American Writer’s Thesaurus. Use correct punctuation and grammar, too.  

For writers (and editors), words are our medium. Spend as much time as possible reading and writing.


“…writing is finally sitting alone in a room and wrenching it out of yourself, and nobody can teach you that.”       –Jon Winokur



Writing Book Recommendations: 

(I have reviewed most of these books on this blog. Dates of posts are in parentheses.)

The War of Art by Steven Pressfield  (8/30/12)

Turning Pro by Steven Pressfield  (9/9/13)

Writing Down the Bones by Natalie Goldberg  (5/6/13; 1/12/14)

The Right to Write and The Writer’s Life by Julia Cameron  (5/6/13; 1/12/14)

Invisible Ink by Brian McDonald  (6/26/16)

The Golden Rule by Brian McDonald  (7/25/16)

The Elements of Eloquence: Secrets of the Perfect Turn of Phrase by Mark Forsyth  (2/23/15)

The Writer’s Home Companion edited by Joan Bolker, Ed. D.  (12/3/12)

Blue Pastures by Mary Oliver  (3/21/16; 4/4/16)

Zen and the Art of Writing by Ray Bradbury  (3/9/15)

For Writer’s Only by Sophy Burnham  (12/17/12)

The Writing Life by Ellen Gilchrist  (7/21/14)

Tiny Beautiful Things by Cheryl Strayed, author of Wild (1/28/13)    

Year of Yes by Shonda Rhimes  (1/11/16)

Telling Lies for Fun and Profit: A Manual for Fiction Writers by Lawrence Block (will be reviewed)

The Book on Writing by Paula LaRocque (will be reviewed)

The Modern Library Writer’s Workshop by Stephen Koch  (8/5/13)

Bird by Bird by Anne Lamott (5/6/13)

A Writer’s Paris: A Guided Journey for the Creative Soul by Eric Maisel  (5/25/15)

Fiction Writing Master Class by William Cane (9/7/15)

The Soul of Creative Writing by Richard Goodman 10/19/15)

Backpack Literature by XJ Kennedy and Dana Gioia (4th post each month, September 2016-April 2017)

On Writing by Stephen King—needs no review

Write Within Yourself: An Author’s Companion by William Kenower  (8/8/16)

The Writing Trade by John Jerome (1/14/13)



Poetry:

Mary Oliver  (4/28/14) I read all her books.

Billy Collins  (4/22/13) I read all his books.

Anthologies & classic poetry



Knowledge:

A Natural History of the Senses by Diane Ackerman. (5/27/13) I recommend all of her books.

At Home by Bill Bryson. I read all his books.  (12/24/12; 1/26/15)

Books by Joseph Campbell & The Art of Reflection: A Joseph Campbell Companion by Diane K. Osbon



Memoirs:

Handling the Truth: On the Writing of Memoir by Beth Kephart  (8/26/13)

Let’s Take the Long Way Home by Gail Caldwell  (9/29/14)

On Conan Doyle by Michael Dirda  (11/23/15)

Six-Word Memoirs edited by Larry Smith  (9/10/12)



Essays:

Ex Libris: Confessions of a Common Reader by Anne Fadiman (11/26/12)

This is the Story of a Happy Marriage by Ann Patchett (5/26/14) Title of an essay, not subject of book.

High Tide in Tucson by Barbara Kingsolver (7/22/13)

A Cup of Comfort for Writers edited by Colleen Sell  (5/11/15)



Screenplays:

Screenplay by Robin Russin and William Missouri Downs  (8/10/15)

On Story: Screenwriters and Their Craft edited by Barbara Morgan and Maya Perez  (6/6/16)



Reference:

Oxford American Writer’s Thesaurus (6/9/14)

The Synonym Finder by J I Rodale  (6/9/14)

Grammar and punctuation books



Online:   

Are You There Blog? It’s Me Writer by Kristen Lamb, award-winning blog warriorwriters.wordpress.com.

Steven Pressfield, blog Writing Wednesdays at www.stevenpressfield.com.