From Kate’s
Writing Crate…
As
a reader, I always love finding books that appeal to me. As a writer, I am
twice as pleased when the authors also provide masterclasses within their
books.
Masterclasses
take place when performance artists and musicians work one-on-one with
students. Writers don’t generally have this option, but I have found some books
to be masterclasses for characters, backstories, plots, settings, voice and/or
creativity.
I read three highly recommended novels
for my post this week, but two failed to keep my attention and the third was
good, but not masterclass good so I searched my bookshelves and decided Snoopy’s Guide to the Writing Life met
all the criteria.
Before you dismiss this as a joke, 32 authors/writers
including Ray Bradbury, Sue Grafton, Elizabeth George, A. Scott Berg, and
Elmore Leonard penned essays on The Writers’ Life based on their favorite comic
strips of Snoopy sitting in front of his Olivetti typewriter on top of his
doghouse which illustrate this tribute to writing.
In the Foreword, author Monte Schulz writes about his beloved
father, Charles, their relationship as well as how important literature was in
their lives.
“When I was young, my father gave me some of his favorite
adventure books to read, like Driscoll’s
Book of Pirates and Red Rackham’s
Treasure. He wanted me to become as entranced by the storyteller’s art as
he was…He own reading was astoundingly eclectic. He loved poetry and prose,
fiction and non-fiction…” (page 3)
“Once I’d reached the age where literary art is appreciated
as much as bravado storytelling, my father began recommending literary books
for me to read. Years later he told me that one of his fondest wishes had been
that one day I’d grow into an appreciation of literature so that he and I could
share and discuss the same books, some he would find to read, some I’d share
with him. And finally we did…” (page 4)
“…Without a doubt, my father used Snoopy the author to
express his own love and frustration with the creative process, to illuminate
the writer’s life by poking fun at the often incomprehensible divide between
author and publisher while showing the amazing resilience of the everyday
writer struggling for acceptance and acknowledgment…” (page 11)
In his Introduction, Barnaby Conrad
gives readers a glimpse into Charles Schulz’s writing life describing his
working day, writing space, and some of his habits that he caught while
interviewing him for The New York Times
Magazine. Schulz shared his views on writing, art, music, and genius as
well.
In the 32 essays by other authors/writers, they offer advice,
reflections, and warnings that are enlightening. Not every essay appealed to me,
one even offended me, but here are a few quotes I loved:
“My biggest piece of advice is don’t use desperately boring
description to elaborate on something technical or dole out heavy explanation...The
reader will ignore it and be bored. Describe it in dialogue. The vision in the
in the mind of the reader flies so much faster, and the reader actually
understands and enjoys hearing what the characters say about it.
--Clive
Cussler (page 36)
“The rules for writing a best-seller are simple:
·
Take
an idea you really, really like.
·
Develop
it until it is brilliant.
·
Rewrite
it for a year or two, until every word shines.
Then bite your nails, hold your breath, and pray like mad.
--Sidney
Sheldon (page 40)
“The joy about writing is that as long as you write from your
heart, a thousand English degrees cannot compete with that. And remember, an editor
can always correct your spelling and fix your grammar, but only you can tell
your story.”
--Fannie
Flagg (page 69)
“To me, writing a book is a two-part process. The first part,
and probably the toughest, is starting a book…
The second part, which I’ve always considered much easier, is
completing the book. It’s much longer than starting, but also considerably
easier—because now, momentum is on my side.”
--Jay
Conrad Levinson (page 112)
“I always tell my writing students to become completely aware
of their bodies as they write. I tell them that their minds will lie to them
all the time, but their guts will never lie to them. You know when you are
afraid, don’t you? You feel it; you
don’t think it. You know when you are excited, too…you have to learn to apply
that gut reaction to your writing…”
--Elizabeth
George (page 123)
I wish I could reprint Elizabeth George’s entire essay as she
gave great advice, but you will have to discover it for yourself. She ends
with:
“I think the writing life is the best there is. It’s also the
most challenging. It’s filled with a heck of a lot of difficult moments, but
overcoming them is the most rewarding thing I’ve ever done.” (page 124)
I have to agree.
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